His brothers Orphie and Frixo carried on the business for the next few years, but eventually Frixo moved to Ohio in 1947 to start his own new company. Epiphone suffered an even bigger setback when Epi died of leukemia in 1943 at age 49. Like most other American guitar companies during the Forties, Epiphone persevered but struggled due to shortages of materials and other economic challenges caused by the United States’ involvement in World War II. “A lot of the great players did back in those days, when you really had to thump out the rhythm. “The great players like George Van Eps, Carmen Mastern and Freddie Green all had Epiphones,” Les recalled. For example, when Gibson introduced the Super 400 in 1934, which featured an 18-inch body and was Gibson’s largest archtop at that time, Epiphone responded by developing the Emperor, which boasted an 18 1/2-inch body. The rivalry between Gibson and Epiphone significantly drove the evolution of archtop acoustic and electric guitars during this period. Gorgeous and stylish, these instruments lived up to their big city, aristocratic names– Broadway, Emperor, De Luxe – in every way. Almost from the very beginning of Epiphone’s guitar production efforts in 1928, there was a synergy between the two brands – somewhat adversarial at first, but also with considerable admiration on both sides.Įpiphone’s guitar production expanded rapidly during the Art Deco Thirties, and the company quickly became known as a preeminent maker of jazz archtop guitars. The CC-21 is almost identical to the more expensive CC-22, but has bindings made of ABS plastic instead of rosewood.The rivalry probably existed well before then, but as Epiphone eventually transformed its primary focus from building banjos and mandolins to guitars, the competition between the two companies became increasingly evident. With other brands, this option is often found only in the higher price ranges, but with Salvador Cortez it is standard from the entry-level models up! A better start is hardly possible!Įven in the long run, the CC-21 remains easy to play: with the built-in adjustable truss rod, your dealer can optimize the string height in a few minutes during regular maintenance. The use of the best strings from Savarez and quality parts like a real bone nut and bridge saddle also contribute a lot to the good sound of the CC-21. The sound is warm and yet light and bright due to the sapele sides and back. The easy-to-play neck shape and the ability to adjust the string height low make this a very inspiring guitar. The CC-21 is the ideal student guitar with a solid top, for the dedicated starter.
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